“…Embodied in all of Smithson’s endeavors was his interest in entropy, mapping, paradox, language, landscape, popular culture, anthropology, and natural history. “The strata of the Earth is a jumbled museum,” he once mused. 4  A loud abrasive buzzing bellows from the nightstand and I raise my head, only to be blinded by the red light emanating from the small—in size, not volume—machine against a backdrop of pure blackness. At the time, high salinity levels and colorful salt-loving microbes gave the water an otherworldly red hue. entropy made visible/alison sky (1973) 301 robert smithson on duchamp / moira roth (1973) 310. unpublished writings poems (1959-1961) from the temptations 315 from the walls of dis 316 from the city 317 to the eye of blood 318 the lamentations of the paroxysmal artist 3 19 prose Erik VERHAGEN, L'essai Entropy and the New Monuments (L'Entropie et les nouveaux monuments), publié dans la revue Artforum de juin 1966, est le fruit de diverses excursions entreprises cette fois-ci avec Carl Andre, Michael Heizer, Robert Morris et Claes Oldenburg dans des sites industriels désaffectés. Just a few months later — three years before he died in a plane crash at age 35 — Smithson created the “Spiral Jetty” at Rozel Point on Utah’s Great Salt Lake. ),A\lm,..m 111:1 ~ntod WOO". Distributed by Electronic Arts Intermix, New York). Made with 6650 tons of black basalt rock and earth, the jetty would stretch 1500 feet straight out into the lake, then curl around itself, an elegant fiddlehead of mud, salt crystals, rocks, and water. ROBERT SMITHSON: O.K. Enjoy the best Robert Smithson Quotes at BrainyQuote. He said that in the ultimate future the universe will burn out into an all encompassing sameness. In 1953, as a high-school student, he won a scholarship to the Art Students League of New York, where he studied in the evenings for the next two years, also taking classes at the Brooklyn Museum Art School in 1956. Robert Smithson gave several ambiguous statements concerning entropy and his intent for the work to mimic earthly attributes so that the elements are left to dissolve naturally which makes preservation process very complicated. Lire la suite, Indissociable de l’artiste américain Robert Smithson (1938-1973) dont elle fut l’épouse, la collaboratrice et la légataire veillant à la diffusion et à la préservation de son œuvre, Nancy Holt était aussi une artiste dont le travail, qui opère la jonction entre le land art et l’art écologique, n’a été reconnu que tardivement, lors d’une rétrospective produite en 2010 par l’université de Columbia.  : […] smithson describes entropy as an irreversible condition that is moving towards a gradual equilibrium between decay/renewal or chaos/order. Smithson, lui, ne cesse de s'attacher à une temporalité. Holt/Smithson Foundation, Licensed by VAGA at ARS, New York. Smithson used 1,500 feet (457 meters) of rock, earth, salt, and red algae to create the jetty. I use to pick up odd jobs in galleries. So he’s not saying, ‘look at these beautiful vistas,’ he’s saying, ‘the water looks like meat gristle.’”, Still from Robert Smithson, “Spiral Jetty” (1970), digitized 16 mm film, 35 minutes (© Holt/Smithson Foundation, Licensed by VAGA at ARS, New York. Its precarious location lends itself to the structure’s inevitable disintegration, yet its impressive size and deliberate shape command the surrounding landscape. It’s about the fear, and the awe, and the terror that can be seen within a landscape. Robert Smithson expressed a profound interest in the arts from an early age. 9, May 1981.. Robert Smithson is most well known for his monumental earthwork Spiral Jetty, 1970, located in the Great Salt Lake, in Utah. Much of Smithson’s interest in land art was based on the idea of deformities in the land. Robert Smithson was a seminal American artist and writer known for pioneering the Land Art movement.His monumental earthen sculptures such as Spiral Jetty (1970), were inspired by the Minimalist work of his contemporaries, as well as geology, science fiction, and the concept of entropy. At the same time, “Spiral Jetty” is also a Gorgoni aerial photo of itself in 1970 surrounded by pink and blue water. More by Amie Tullius. Amie Tullius. His initial interests were in drawing and painting, which he studied at the Art Students League art school in New York. Recommended Citation. La fin du xx e  siècle marque ainsi l’apparition d’une génération d’artistes s’emparant de la cartographie comme outil premier de représentation, avec ses possibilités et ses contraintes. Robert Smithson expressed a profound interest in the arts from an early age. Robert Smithson was a seminal American artist and writer known for pioneering the Land Art movement.His monumental earthen sculptures such as Spiral Jetty (1970), were inspired by the Minimalist work of his contemporaries, as well as geology, science fiction, and the concept of entropy. Smithson’s artwork gained a wider audience. Become a member today », Robert Smithson, “Spiral Jetty” (1970), mud, precipitated salt crystals, rocks, water, 1,500 feet x 15 feet (Collection of Dia Art Foundation, photograph by Charles Uibel/Great Salt Lake Photography, © Holt/Smithson Foundation and Dia Art Foundation, Licensed by VAGA at ARS, New York). Early on, people didn’t often visit the jetty. Robert Smithson was born in New Jersey, United States on 2 January 1938. 9, May 1981.Published in Arts Magazine, New York, Vol. Élargissez votre recherche dans Universalis. He was fascinated by concepts of duality, entropy, and questions of how we might find our place in the world. Through his studies and training, Smithson became fascinated with the Abstract Expressionists, i… In Rutherford, William Carlos Williams was Smithson’s pediatrician. Nancy Holt first presents her installation work Holes of Light in a solo exhibition at the LoGiudice Gallery. And people wanted to go see. Robert Smithson, “Spiral Jetty” (1970), mud, precipitated salt crystals, rocks, water, 1,500 feet x 15 feet (Collection of Dia Art Foundation, photograph by Gianfranco Gorgoni, © Holt/Smithson Foundation and Dia Art Foundation, Licensed by VAGA at ARS, New York). Robert Smithson (1938–1973) was an American sculptor and writer associated with the Land Art movement. Robert Smithson (January 2, 1938 — July 20, 1973) was an American artist who used photography in relation to sculpture and land art.Smithson was born in … The work of Robert Smithson comes tightly wrapped in some ­unforgiving artistic concepts. «  SMITHSON ROBERT (1938-1973)  » est également traité dans : — 1800000- — 950000 Pléistocène inférieur Formation du Lac Bonneville. Robert Smithson, “Partially Buried Woodshed” (1970), woodshed and 20 truckloads of earth (© Holt/Smithson Foundation, Licensed by VAGA at ARS, New York) Just a … The purpose of this research is to explore the element of entropy in the art of Robert Smithson with emphasis on the meaning and implications of the concept of entropy in relation to his earth sculpture Spiral Jetty. I’m immediately beset by the eternal morning conflict: ten more minutes of sleep vs. the rush of adrenaline that wants to start the adventures that await. Robert Smithson (January 2, 1938 – July 20, 1973) was an American artist who used photography in relation to sculpture and land art. Like energy, entropy is in the first instance a measure of something that happens when ... from Unpublished Writings in Robert Smithson: The Collected Writings, edited by Jack Flam, published University of California Press, Berkeley, California, 2nd Edition 1996 Next, I masking taped and boxed a number of mirrors, and then hauled the lot to the freight elevator. L'essai Entropy and the New Monuments (L'Entropie et les nouveaux monuments), publié dans la revue Artforum de juin 1966, est le fruit de diverses excursions entreprises cette fois-ci avec Carl Andre, Michael Heizer, Robert Morris et Claes Oldenburg dans des sites industriels désaffectés. 2  I will have to revisit this in the future, although, for now, see below for what I think Louise Lawler has to say on the matter). While still attending high school in Clifton, New Jersey, during the mid 1950s, he attended art classes on the side in New York City. Robert Smithson (2 janvier 1938 20 juillet 1973) est un artiste américain lié, entre autres, à l'art minimal et au land art. 4:00 A.M. Oy. MY notes tell me I earn earned $30.00 and rock salt was selling for $22.00 a ton. Le paysage, dominé par l'immensité du […] In Smithson’s eyes entropy was the second law of thermodynamics, which exploits the range of energy by telling us that energy is easier lost than obtained. ROBERT SMITHSON’S EXPERIMENTS IN ENTROPY Revisiting Smithson’s earthworks “Spiral Jetty” and “Partially Buried Woodshed,” which have dramatically changed 50 years later. Robert Smithson by Jennifer Padgett. Born in Passaic, New Jersey, Robert Smithson (1938 - 1973) is an artist who recalibrated the possibilities of art. (61) Robert Smithson, « Entropy made visible », The writings …, op. It was perceived to be in the remote “middle of nowhere” far from the center of the art world — New York City. “‘Spiral Jetty’ is a complicated work,” says Le Feuvre. Lire la suite, Dans le chapitre « Land art » Le Grand Lac Salé et le Lac de l'Utah actuels résultent de son assèchement à la fin de la dernière glaciation.1824-1825 Première exploration du Grand Lac Salé par Jim Bridger.1843 Première étude scientifique […] Le temps devient un lieu dépourvu de mouvement », écrit-il, afin de démontrer que les processus de transformation et de détérioration propres à l'entropie se concrétisent dans le temps. …pour nos abonnés, l’article se compose de 5 pages. Quotations by Robert Smithson, American Artist, Born January 2, 1938. As arts communities around the world experience a time of challenge and change, accessible, independent reporting on these developments is more important than ever. This year, in January, was also the 50th anniversary of another of the artist’s earthworks, “Partially Buried Woodshed.” Both works have changed dramatically since 1970 as they’ve been transformed by nature, culture, and time — which is what Smithson, who was captivated by entropy, wanted them to do. Mar 8, 2012 - This Pin was discovered by Anne-Charlotte Beck. ROBERT..SMITHSON:-THE COLLECTED WRITINGS EDITED BY JACK FLAM UNIVERSITY OF CALIFORNIA PRESS tklkc(cy l.oshlfCo~ London. Les différentes expériences tant littéraires que plasticiennes de 1966 marquent la véritable amorce de la trajectoire fulgurante de l'artiste. there is a closed system which eventually deteriorates and starts to break down and there is no way of ever piecing it fully back together again. Also, after about two years, it was swallowed up by the lake, where it stayed mostly submerged for the better part of the next three decades. Cette apologie de l'impureté, du défaillant, de l'obsolète et de l'anachronique se situe bien évidemment en porte-à-faux avec la conception téléologique de l'histoire de l'art défendue par les modernistes, par ailleurs réfractaires à toute implication temporelle dans l'expérience esthétique. SELECTED WRITINGS BY ROBERT SMITHSON Entropy And The New Monuments On rising to my feet, and peering across the green glow of the Desert, I perceived that the monument against which I had slept was but one of thousands. In January 1970, Ohio’s Kent State University authorized Smithson, then an artist in residence, to dump 20 truckloads of earth around and atop a decaying shed until its center beam cracked. 56, No. Posted on 03 November 2020 by 03 November 2020 The artwork is noted as one of Smithson’s best. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York. Robert Smithson Spiral Jetty, 1970 One of the most remarkable examples of Land art is Robert Smithson’s Spiral ... Lake also appealed to the artist’s long-standing preoccupation with entropy. Robert Smithson at the site of “Spiral Jetty” (1970), Great Salt Lake, Utah. Beat, Minimalism, New Wave and Robert Smithson Published in Arts Magazine, New York, Vol. La poetica di Robert Smithson si fonda sull’esperienza creativa nata nell’ambito dell’arte concettuale: il suo significato profondo, infatti, sta nel pensiero che la ispira e nell’idea che la modificazione del paesaggio sia l’opportunità per definire Afterward, Smithson donated the piece to the university, requesting that nothing be altered or removed from the work. Smithson’s pencil drawing Shed with Asphalt (1970–71; fig. Robert Smithson. In an art context the term became popular in late 1960s New York when the artist Robert Smithson used the term entropy in reference to his contemporaries, the minimalist artists Donald Judd, Sol LeWitt, Dan Flavin and Larry Bell, whose highly simplified and static work he considered embodied the concept. Robert Smithson’s Spiral Jetty turns 50 this month. There is presently a good deal of impetus among proponents of New Wave art to deny sharing any aims with Minimalism. 5 e.g. 1 L’ouvrage Robert Smithson : mémoire et entropie se joue de l’intérêt de l’artiste pour l’inversion du temps. A pivotal figure in the evolution of post-war sculpture, Robert Smithson created iconic Land art that radically changed prevailing ideas about the making and viewing of art. […] 56, No. Shapiro, Gary. cit. Smithson (1938-73) came of age in the 1960s when a flurry of knotty movements, ideas and adherences were gaining purchase – minimalism, land art, psychogeography, site-specific art, video art and more. Parce qu’elle est composée d’images et de signes, la carte jouit d’une popularité croissante dans l’art contemporain depuis les années 1960. Learn More about Robert Smithson. There is presently a good deal of impetus among proponents of New Wave art to deny sharing any aims with Minimalism. Amie Tullius is a New Mexico-based writer and art dealer. GÉOLOGIE DE SPIRAL JETTY, DE ROBERT SMITHSON -, — 1800000- — 950000 Pléistocène inférieur, Rozel Point, Grand Lac Salé, Utah, (R. Smithson), UN TROU DANS LA VIE : ESSAIS SUR L'ART DEPUIS 1960, https://www.universalis.fr/encyclopedie/robert-smithson/, dictionnaire de l'Encyclopædia Universalis. robert smithson entropy and the new monuments. © 2020 Encyclopædia Universalis France.Tous droits de propriété industrielle et intellectuelle réservés.  : […] While he is most recognized for his earthworks, Smithson also created a large body of work that explored a variety of themes dealing with the post-industrial landscape, entropy, and paradox. His large-scale sculptures, called Earthworks, engaged directly with nature and were created by moving and constructing with vast amounts of soil and rocks. “It’s many things. Inscrivez-vous à notre newsletter hebdomadaire et recevez en cadeau un ebook au choix ! Working with unconventional materials including soil, rocks, disused industrial sites, and language, the artist explored the metaphorical qualities inherent in geological formations and the process of entropy. Robert Smithson, Spiral Jetty in 2004, Rozel Point, Great Salt Lake, Utah. Part one: Contemporary art – Project 3 -Place i “Spiral Jetty” became almost immediately iconic after Smithson presented the work to the art world through his film and then essay of the same name, and a series of aerial photographs by artist Gianfranco Gorgoni. I will have to revisit this in the future, although, for now, see below for what I think Louise Lawler has to say on the matter). She is the director of a contemporary art gallery in Santa Fe and feels very fortunate to spend her days engaged in conversations about art and... Qu’elles soient des Earthworks modifiant durablement le paysage ou qu’elles ressortissent davantage à l’art de l’éphémère, les œuvres du land art affrontent avec audace des sites naturels grandioses, à une échelle […] Smithson (1938-73) came of age in the 1960s when a flurry of knotty movements, ideas and adherences were gaining purchase – minimalism, land art, psychogeography, site-specific art, video art and more. Essais sur l'art depuis 1960 (Desclée de Brouwer, 2002) réunit neuf textes, consacrés à huit artistes, composés par Jean-Pierre Criqui de 1987 à 1997 et, à une exception près (celui sur Jean Eustache), précédemment publiés dans divers catalogues monographiques ou revues d'art. p. 194. L'auteur se définit en préambule comme un critique, c'est-à-dire « quelqu'un qui s'éduque lui-même e […] Lors d’un voyage au Yucatán, pour visiter les constructions Mayas, l’artiste Robert Smithson centre son regard sur l’Hotel Palenque, une reflexion autour d’une architecture anonyme, des modes de construction et de l’action du temps. Wednesday, 3 April 2013 . In 1984 the remains were quietly removed by the university. (62) Robert Smithson citait volontiers le fragment 124 d’Héraclite : «Le monde le plus beau est comme un amoncellement de décombres jetés en désordre». Robert Smithson SELECTED INTERVIEWS WITH ROBERT SMITHSON Entropy Made Visible (1973) Interview with Alison Sky On Site #4, 1973. “The strata of the Earth is a jumbled museum,” he once mused. we'll begin with entropy. 9, May 1981.Published in Arts Magazine, New York, Vol. Art World What the Present Owes to the Past: Why Robert Smithson and the Art of ’60s Remain So Vividly Present in Contemporary Art. 56, No. Entropy, it turns out, makes people uncomfortable. This interview took place about two months before Smithson's death. Smithson often documented these trips with map-drawings that explored space as both subject matter and formal element. Lire la suite, Dans le chapitre « Sculpter à l’échelle du monde » The work of Robert Smithson comes tightly wrapped in some ­unforgiving artistic concepts. Des événements comme l’exposition Mapping organisées par Robert Storr […] He considered deformities to be areas that had been agitated by industry, urbanization, or natural damage. Share with your friends. Robert Smithson (January 2, 1938 – July 20, 1973) was an American artist known for sculpture and land art who often used drawing and photography in relation to the spatial arts. On view in these galleries are five of Robert Smithson’s indoor earthworks from the late 1960s, made with materials such as sand, gravel, mirrors, and glass. Robert Smithson was a seminal American artist and writer known for pioneering the Land Art movement.His monumental earthen sculptures such as Spiral Jetty (1970), were inspired by the Minimalist work of his contemporaries, as well as geology, science fiction, and the concept of entropy. Please consider supporting our journalism, and help keep our independent reporting free and accessible to all. Despite its unofficial role as a  memorial and also its international art world recognition, there were many who considered it a campus eyesore. “But of course,” says Lisa Le Feuvre, Executive Director of the Holt/Smithson Foundation, “the moment the central beam breaks, the whole of the structure is going to gradually, gradually fall apart. Smithson was born in Passaic, New Jersey and … Smithson’s early artwork reflected his primary focus on painting the … While still attending high school in Clifton, New Jersey, during the mid 1950s, he attended art classes on the side in New York City. humpty dumpty falls, but cannot be put back together again. 9, May 1981.. « SMITHSON ROBERT - (1938-1973) », Encyclopædia Universalis [en ligne], “Entropy, it turns out, makes people uncomfortable.” What a great insight for our present moment. A pivotal figure in the evolution of post-war sculpture, Robert Smithson created iconic Land art that radically changed prevailing ideas about the making and viewing of art. "Entropy and Dialectic: The Signatures of Robert Smithson." Ce premier volume d’études en français sur Robert Smithson débute en effet par un texte de Mel Bochner énonçant sa collaboration en 1966 avec celui qui … 2) has no direct correlation to a specific earthwork, yet it relates to other projects in his oeuvre and again illustrates how the artist used various mediums to synthesize the themes that interested him, including entropy and its effects on both natural and man-made elements. La poetica di Robert Smithson si fonda sull’esperienza creativa nata nell’ambito dell’arte concettuale: il suo significato profondo, infatti, sta nel pensiero che la ispira e nell’idea che la modificazione del paesaggio sia l’opportunità per definire For two years, he was enrolled at The Art Students League in New York and, for a briefer period, at The Brooklyn Museum School. « L'instantanéité fait que le travail de Flavin appartient davantage au temps qu'à l'espace. 1), a presentation work that is part of his Reclamation series. And that’s what Smithson was interested in, this inevitable rise into decline.”, Robert Smithson, “Partially Buried Woodshed” (1970), woodshed and 20 truckloads of earth (© Holt/Smithson Foundation, Licensed by VAGA at ARS, New York). of Robert Smithson’s Sight –Non Sight. 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